In 2016 the world seems to be more connected in communication, yet more segregated in culture than ever. It is a time for fresh ideas about re-connecting things. David Nesselhauf, producer, composer and multi instrumentalist from Hamburg/Germany gives it a try. His new album re-visits a time in the Seventies, when innovative bands like Can were working on a rhythmic and experimental fusion of African music and German rock, which was labelled “Afrokraut”.
Nesselhauf’s modern take on “Afrokraut” goes beyond the standards of contemporary electronic, jazz, pop or club music. As much as the thirteen tracks on the album nod towards the dance floor as their common factor, they also address topics as migration and exclusion and take a strong stand for global togetherness. Just listen to the opening tracks “Boat Mama” and “Outer Banks” and you see what Nesselhauf is on about. Recorded and mixed on vintage equipment at Dennis Rux’s ultra-cool Yeah! Yeah! Yeah! Studios in Hamburg, “Afrokraut” sounds deep, authentic and visionary at the same time. Renowned Dutch artist Chantal Rens delivered a strong statement for the cover artwork: “I am especially excited about Chantal’s work for my album”, says David Nesselhauf.
With a diverse catalogue of albums ranging from electro to doom to look back on, his works with funk celebrities Diazpora as their bass player and collaborations or production with Pee Wee Ellis, Lew Soloff (Blood, Sweat & Tears), Flo Mega or Faust, running his own little record label as well as his education at the Drummer’s Collective in NYC David Nesselhauf is a well established player in the German independent music scene.