[engl] 37 years after the release of their debut album and numerous psychobilly albums, Bad Dooleys are making a more than successful excursion into rockabilly territory! In addition to five original compositions, there are five cover songs of legendary classics.

[engl] Germany's longest-serving psychobilly band. Five brand new tracks and five old rearranged songs for the 35th anniversary

[engl] To many, CRAIG BELL is well known as bass guitarist / singer with MIRRORS and ROCKET FROM THE TOMBS, two bands that were among the foundation stones upon which the Cleveland, Ohio music scene of the 1970s was built. What many may not know is that Craig was also an integral part of the beginnings of another era of creativity in New Haven, Connecticut in the following decade. With like minded musicians, Craig formed SAUCERS, FUTURE PLAN, THE PLAN, THE BELL SYSTEM and THE RHYTHM METHODISTS in the years he lived on the East Coast (1976—1989). Craig released few recordings during this time, two singles with Saucers, “What We Do/Muckraker” (1979) and “A Certain Kind of Shy/She’s Alright” (1980), songs on the compilation LPs It Happened But Nobody Noticed (1982) featuring cuts by Saucers and The Plan, while The Bell System had their “America Now” released on the radio station only SCREAM promo LP (1985), and a single by The Plan, “I Love New York/I Hate New York/When It’s Too Much” (1983), most of them on his Gustav Label. In 2002, a CD compilation by Grand Theft Audio out of Los Angeles collected the entire studio output of Saucers on an album titled What We Did. This, along with reissues of songs Craig played on with Mirrors and RFTT, was the only recording of his work available. 2016 brings aka Darwin Layne, an LP featuring 11 historic recordings, both live and studio, featuring Craig’s songwriting and his bands Future Plan, The Plan, The Bell System, and The Rhythm Methodists, along with selections by Saucers, Mirrors, and THE BRIDGEPORT BAD BOYS.

[engl] Soap, Bunny and Peck learnt to play primitive rock 'n' roll in the deepest, darkest depths of Folkestone in the late 80's. Fast forward 30 years and this time round they have found a kindred spirit in Howlin' Marc Heywood. Marc brings his tortured howl to the party, hollerin' and a hootin' his way through some of the most primal beats this side of the ice age. A match made in hell. Trash Beast indeed !...The Defiant Ones : Savage Sounds is shipping now folks.... Quite possibly thee 'Rockin' release of the year !... Pure early 80's Neo (before it got all silly)...Slips in neatly with your Ricochets, Levi Dexter, Deltas and Mk1 Meteors... I think they like Charlie Feathers a lot too!

[engl] Rerelease of this rare and wanted debut album from 2007

[engl] 11 songs of Richard SCREAMING his ass off in gay Paree!

[engl] First ever vinyl reissue of this ’Incredible Strange Music’, private press (infamous) classic, championed by lovers of the wonderful & weird such as Jello Biafra. A time capsule which will send you back to the post–beatnik, pre–psychedelic / hippie scene from L.A. With his long red hair and matching beard, Robbie The Werewolf – a folksinger of the frantic variety with a fetish for monsters – was a striking performer with a manic stage presence, acting out his songs as much as singing them. His set consisted of his original songs and uniquely reworked versions of folk standards, played on a beat–up twelve–string guitar. This inspired some of the most bizarre songs ever committed to vinyl: listen to "Count Dracula" and its proto–psychedelic, amazing echo effects or the insane DIY rocker "Rockin’ Werewolf". It was at The Wale Back in L.A one heady night in 1964, that Robbie’s solo act was captured for posterity and released as a tiny private pressing. A few years later, Robbie was a founding member of L.A psychedelic band Clear Light. But that’s another story?