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  • 01. Description Automatique D’un Paysage Désolé
    02. Souvenir De L’OIseau
    03. Souvenir De L’OIseau (Autre Version 2)
    04. Description Automatique D’un Paysage Désolé (Autre Version)
    05. La Tour Saint-Jacques
    06. Souvenir De L’OIseau (Autre Version)


    Free Jazz

    [engl] As Finders Keepers disobedient little-sister-label reaches her 20th (release) anniversaries Cacophonic Records are proud to present a record that will not only leave rare record collectors salivating but will open ambitious ears to a truly pioneering album from the seldom celebrated and individualistic micro-genre that is French free Jazz. Comprising some of the earliest uninhibited performances from key musicians behind records by Serge Gainsbourg, Jef Gilson, Triangle, Don Cherry, Barbara and countless other groundbreaking European jazz records and freakish films, this LP captures the birth of an exciting movement that would soon earn its Parisian birthplace as the go-to European spiritual home of improvised and avant-garde music. Spearheaded by polymath pianist and composer François Tusques this 1965 French LP coined the phrase “free jazz” before the American genre of the same name had fully taken shape and packed its suitcase; laying the foundations (alongside Jef Gilson’s Enfin!) for a unique satellite brand of jazz that would later provide visiting afro American avant-gardeners with a vibrant Parisian platform. Having recorded a very rare single in celebration of the architect Le Corbusier in late 1964 Tusques was lucky enough to play live with Don Cherry (a key player on Ornette Coleman’s 1961 Free Jazz LP) thus planting a pedigreed seed for this vibrant cultivar. With this record we not only hear the unique differences within the Gallic approach to the art form (combining masterful sombre cinematic changes with aerated free-form percussion and erratic reed and brass) but we also get to witness the early lesser savoured secret ingredients that would carry France’s mainstream pop culture into truly uncharted and unrivalled territories throughout the following decades. Best known to faithful Finders Keepers fans as the soundtrack composer to the horrortica films of Jean Rollin, Tusques is joined here by sax and flute player Francois Jeanneau, who’s electronic jazz album Such A Weird Plane” would later lead to his own band Triangle gaining recognition as France’s leading French language prig-jazz-rock act. Featuring three players from the aforementioned Enfin! LP by French jazz pioneer and producer Jef Gilson, Free Jazz combines the skills of Jeanneau, with clarinet player Michel Portal (Gainsbourg Percussions/Claude Nougaro) and trumpeter Bernard Vitet (whose avant-garde appearances on the Futura label are indispensable). In addition to this, Free Jazz also boasts the inclusion of Tusques’ sidekick and double bass master Bernard “Beb” Guérin (of Sonny Sharrock Monkey-Pockie-Boo infamy) who had also appeared on the earlier Don Cherry/Le Corbusier recording providing further kudos to this LPs historical importance. It is by no coincidence that this carefully selected ensemble would around this time become enlisted as the backing group for politically driven singer-songwriter Colette Magny (an action which would arguably later influence Brigitte Fontaine’s choice to adopt The Art Ensemble Of Chicago as her backing band after the Actuel records Pan-African Jazz festival and record series). The fact that Colette Magny would provide the art direction for this very LP is a cute small-print signifier of this LPs intended manifesto status. This album also captures a rare glimpse of percussionist Charles Saudrais in free-form mode after his departure from the Barney WIlen Quartet (Moshi) - an inclusion that would surely galvanise the relationship between WIlen and Tusques resulting in the follow-up record Nouveau Jazz for actor Marcel Mouloudji’s privately funded Disques Mouloudji label (on which both rare LPs were originally pressed). Presented here on vinyl for the first time since its original ultra rare micro-press (original copies now fetching upwards of 1000 euros) the Cacophonic release is taken directly from François Tusques very own master-tape archive, allowing Finders Keepers access to two rare original out-takes which did not appear on the original LP. With a characteristic keen eye for detail Cacophonic are delighted to present this LP in authentic packaging complete with external seams and a facsimile of the original Tusques-penned booklet, which, after 52 years, still evades the most fastidious collectors trying to unite mint copies with this oft estranged pictorial pamphlet. This glimpse into a seldom documented underground of a domestic, revolutionary, uncompromised spiritual art-form successfully reveals the other-side of abstracted French music which alongside musique concrète, protest pop, symphonic rock and Zeuhl-skool electronic prog created a homegrown, self-contained music industry that went on to influence a universe of Gallic magnetic inspiration. “This is free jazz, Jim; but not as we know it.”
  • 01. La Reine Des Vampires Theme Take 5
    02. La Reine Des Vampires Theme Take 4
    03. La Reine Des Vampires Theme Take 3
    04. La Reine Des Vampires Theme Take 2
    05. La Reine Des Vampires Theme Take 1
    06. La Reine Des Vampires Unused Cue 1
    07. La Reine Des Vampires Rejected Theme 1
    08. La Reine Des Vampires Unused Cue 6
    09. La Reine Des Vampires Unused Cue 11
    10. La Reine Des Vampires Rejected Theme 2
    11. La Reine Des Vampires Rejected Theme 2


    La Reine Des Vampires 1967

    [engl] As a central figure of one of Europe's most vibrant inter-communal music movements, Francois Tusques’ involvement as a central figure in the French free jazz scene (alongside Barney Wilen, Jean-François Jenny-Clark and Jacques Thollot) is as indispensable as it is synonymous. As a wholly improv- isational live music entity running simultaneously (at times pre-emptively) to its early 60s American counterpart this self-styled music revolution remained truly independent, both creatively and logistically, rendering original physical audio documents virtually unobtainable save the few vinyl mementoes which cross human hands for hefty bounties beneath counters of record fairs before reach- ing the electronic auctions. As the first release in a series of long overdue reis- sues and vintage archival debuts Cacophonic Records present this previously presumed lost unreleased studio session from 1967 which sees the cross-pol- lination of two of France’s most exciting counter-culture families, combining the open music of Tusques and the moving image of experimental horror direc- tor Jean Rollin. Originally conceived as an ongoing series of surreal/comic book style film or TV episodes fusing Rollin’s past experiences with illustrators like Nicolas Devil/Philippe Druillet and Tusques’ groundbreaking avant-garde credentials this cinematic debut for both parties commenced in 1967 under the working title La Reine Des Vampires before being distributed and commonly (inaccu- rately) recognised as ‘France’s first vampire film’ under the title Viol Du Vampire. Staying faithful to the projects original title and intention this dedicat- ed audio release hears the original unedited performance in its original form before Rollin’s sound editors got to work with their ruthless tape splicers, dia- logue synchronisation and recycling tactics. La Reine Des Vampires features an all-star line-up of Barney Wilen, Jean-François Jenny-Clark, Bernard Guerin and Eddie Gaumont - assembled by Tusques in the same months that followed the important manifesto of the avant-garde that embossed the groups name on the French musical map. This advent collides at the exact point where Rollin (as an erotic writer and avant-garde theatre patron) first commit- ted his filmic experiments to feature length celluloid proving this previously unheard artifact to be a significant landmark at the start of both a controversial cinematic legacy and a genuinely experimental domestic music career (watch this space) that immediately went on to magnetise the likes of Don Cherry, and Archie Shepp and Sunny Murray in the following year. Remastered from Tusques’ very own studio master tapes and including an extra lost bonus track from his personal "work-in-progress" Ferrograph dubs this LP not only includes the unedited soundtrack source material but compiles a number of high quality studio demos originally turned down by Rollin in 1967. The approved themes found on the a-side of the record were also rearranged and edited for the soundtrack for Rollin’s second feature film La Vampire Nue without Tusques’ prior consent providing an extra twist in the tale and instant- ly giving this first time release a technical "double soundtrack" status.
    EAN 5060099505089