[engl] The Art Of Lovin's one and only album, originally on the legendary US label MAINSTREAM in 1968. An album full of interesting and imaginative female fronted psychedelic folk rock, for fans of Jefferson Airplane, Fort Mudge Memorial Dump, Yankee Dollar, etc.

[engl] Reissue of legendary and classic, one and only, 1968 album by US Psychedelic Rock band! The Bohemian Vendetta are also known for playing as backing group for Faine Jade on their '68 album "Introspection". This is one of the best acid-punk LPs ever! Excellent Vox organ/fuzz teen garage psych and the covers are pretty fantastic as well. The cough syrup high school play vibe of 'Deaf, Dumb & Blind' must be heard to be believed. Easily one of the best on the label with lots of classy psych-punk originals and a truly unique vibe all through it.

[engl] Greek born composer and conductor George Garaventz really complies with any expectations on his 1970 album for the French movie „Un beau monstre“ (A beautiful monster). This is a rather atmospheric and moody effort and except for the opening tunes of both sides this is entirely instrumental despite a few wordless female choirs adding an even deeper atmosphere to the compositions. The luscious arrangements and insistent melodies truly drag one into a colourful world of their own. Pop, psychedelic with elements of Indian raga, chanson and orchestral music melt into another. Sound and performance are of the highest order. Dreamy, dramatic and acid drenched sections follow each other in a rather short distance.

[engl] Reissue of the Growing Concern's self-titled sole album, originally released on Mainstream in 1969. This psychedelic folkrockin' hippie-band had an emphasis on beautiful vocal harmonies and fantastic guitar and organ work. An album of consistently high musical quality. Recommended for fans of Jefferson Airplane and The Peanut Butter Conspiracy!

[engl] Originally released in 1968 on Verve, Harumi is a classic double album of obscure 'Japan meets Greenwich Village' psych with legendary producer Tom Wilson (Velvet Underground, Zappa, Dylan, Simon & Garfunkel) at the helm, desperately trying to reign in the talents of this enigmatic Japanese artist on the outer fringes of an East/West freak out. All songs are sung in English.

[engl] The late 60s seem like a lake of great music releases without a bottom to me. Whenever you think there is no way to go deeper into the mists of obscurity you stumble over another crown jewel from the inner sanctum of garage rock, acid pop and power psychedelia. THE LITTLE BOY BLUES emerged from the simmering Chicago scene of the mid to late 60s where the contemporary beat fused with elements of soul, jazz, blues and funk tinged with dreamy harmonies of the most colorful kind to become acid and garage rock. Sometimes both at the same time. You could literally experience the development of fuzz pedals in rock music spinning those old records including “In the woodland of weir”. The sawing opening chords of “Cathedral” make sure what you are about to listen to. The buzzing heavy guitars raise dirt hand in hand with a sluggish beat before a pastoral organ melody divides the tune into half and after that the seething maelstrom of heaviness overruns you once again. There is more than just this dirty caveman bluesrock you will experience when you give “In the woodland of Weir” a well deserved spin. “Seed of love” is a slow psychedelic pop tune with some wild and explosive fuzzed out lead guitar, wickedly insane flute kicking in from time to time and a bone grinding organ to contrast the thought provoking vocal melody and the dreamy atmosphere. “The great train robbery” comes to hit you straight into your face as the brutal proto punk anthem it is, an aggressive, furious rock eruption with a rather monotonous vocal line. And “Mr. Trip wouldn’t listen” with some sweet string section on a carpet of utterly distorted rhythm guitars howling and scrunching spiced with in some way desperate vocals will thrill you down to your bare bones. Hard garage rock for all freaks into US heroes such as THE SEEDS, THE COUNT FIVE, THE THIRD BARDO and THE MUSIC MACHINE or English cult acts like THE TROGGS, THE WHO and THE YARDBIRDS with some great outstanding songs on its score. A blast to spin!

[engl] PLUS BONUS TRACKS! LA Psychedelic Rock outfit fromt he late 60's. Sitar, baroque suneshine psych pop at it's best! Musically ranging from Beach Boys, over Sgt. Peppers to The Seeds. Imagine a soft version of Max Frost & The Troopers' ''Wild in the Streets'' soundtrack!

[engl] It's a wonder they weren't touring the whole world and playing on huge stages in front of thousands of fans. This 1968 album smashes in like a hot stone with that soulful drive otherwise only Steve Marriott and HUMBLE PIE could provide. A definite recommendation for fans of good old hard classic rock!

[engl] Sally Eaton's 1971 solo album is a unique mixture of rock, folk, pop and swing. The album is very well arranged and Sally's powerful lyrics made this album even better. Recommended for fans of MELANIE SAFKA.

[engl] Reissue of their classic 1965 debut album! THE soundtrack for every 60's beat party! Feat. three bonus tracks.

[engl] Hailing from New York, the band was led by singer Anne Sarofeen, who's described in the album's own liner notes as 'a lady both fierce and gentle, whose music knows truth, tragedy and beauty'. We don't really know if she's fierce or gentle, but her incredible voice has often been compared to that of Janis Joplin, Ellen McIlwaine and Mariska Veres (of Dutch stars Shocking Blue); unfortunately rock history is cruel and she never received the credit she deserves for being right at the top with other unique female singers. She has also composed half of the songs on the album. The album offers 9 songs in a Bluesy, Heavy Psychedelic vein, which to a certain extent remind us much of Jefferson Airplane. Most of the songs are the band's own compositions, with the only exceptions being a take on Martha Velez' 'Swamp Man' and a cover of Rocky Mountain Blues, well chosen covers that fit perfectly the band's identity. Certainly recommended to fans of Janis Joplin, Affinity's Linda Hoyle, Jefferson Airplane or basically any strong, dominating female voice in Psychedelic Rock!