[engl]  Santa Rosa's best band has done something important, vital and oh so real. At it's core "Sinking In" is a frustrated reflective hardcore punk album tackling the struggles and conditions of the ever ripening world we live in. But there is a deeper vein of humanity, cooperation and hope at work here. They've always had a clear message of inclusivity, fun and forward thinking at their shows but to finally have that tangible ethos hit us in our homes, when we need it most, is a wonderful bit of fortune. And timing, damn. We are so excited to finally share this album with you. It's been quite the journey... The first pressing of this is 300 black, 150 white and 50 silver veined vinyl housed in a 24pt reverse board sleeve with poster, 20 page booklet and download card included. Recorded and mastered by Andrew Oswald. Artwork and everything visual by J. Party.

[engl] The second installment of ALIEN NOSEJOB's hardcore alter-ego that is also called ALIEN NOSEJOB. Blasting frantic riffs over snappy drums and vocals that could fall apart at any moment but never do. Fabulous. 6 songs in 8 minutes... rip, rip, rip, rip, rip and rip but defo not R.I.P.

[engl] Non-stop rocker Alien Nosejob, aka Jake Robertson, returns to earth with his second full-length record of 2020, finally bringing the high-octane hardcore punk side of the band to an LP. Hot on the heels of January’s "Suddenly Everything Is Twice As Loud" LP, Nosejob carries on their winning streak and wordy album titles with "Once Again The Present Becomes The Past", which instead follows in the footsteps of the November’s "HC45" 7; merging early 80’s hardcore and late 70’s NWOBHM. "Once Again The Present Becomes The Past" started life as a concept record about Australia’s first and largest air raid, the 1942 Bombing Of Darwin. However, while grappling with this heavy subject-matter, something from Norm Macdonald’s book, of all places, stuck with Jake: "The Present Became Past Again". History is forever repeating itself. It continues to happen. It will happen again. As the record took shape, it was fleshed out with the help of his new reel-to-reel recorder, turning crust and hardcore influences into the dark and cold array of songs documented within. Find out why Alien Nosejob is one of the rare signifiers of both quantity AND quality. 150gr vinyl come housed in a 24pt jacket with lyric insert and download card. Art by Ginklet. Mastered by Mikey Young. Everything else was done by Alien Jake themselves.

[engl] After a head warping intro "Men And Their Work" kicks into eight driving postpunk rockers full of angst, confidence, feminism, melody, grit and a sense of direction not commonly found in a debut album. Shit, most seasoned bands don't even make albums this coherent. It's a smart moniker as ALL HITS certainly lives up to the promise. There is a 60/40 split of familiar comfort and provocative mystery inherent in every song. You get shouted sloganeering backed with barbed melody and finessed power-ups massaged into the sweetest spots. We can't put our finger on exactly what it is that makes this record so special but whatever it is there is a lot of it. Destined to be a modern classic. Destined to be a modern classic. So much so, that Rough Trade has deemed it their "Record of the Week" for June 26th. Lovely. 300 black, 100 translucent smoky blue and 100 coke bottle clear (a Rough Trade exclusive color) 150gr copies housed in a 24pt reverse board jacket with lyrics insert and download card included.

[engl]  "Since John Coltrane and Rashied Ali created "Interstellar Space" with only sax and percussion, opening through this limited line-up new realms of expression, often raw, hard, yet incredibly direct and open, many have seen the opportunities it offered and followed their example. Playing in a trio format is for many already a tough task, but relinquishing the typical role of the bass as melodic and rhythmic anchor point, offers a total freedom of interaction, but it's like poetry without rhyme, there is no comfort zone to fall back into, no safe haven, no safety net, it's swim or drown. Without technical mastery, creativity and close listening skills, it's hard to create anything meaningful at all." -freejazzblog.org Steve and Ravi are indeed true masters of the hive minded sonic attack. Swirling madness and whispered genius. I've seen it live and I can attest, it is incredible. Like the other singles in series 3, there are 300 copies on black vinyl with hand stamped labels housed in a hand stamped j-card sleeve. A one-time pressing.

[engl] From the dreary, isolated sheet of frozen brilliance that is Ísland, BÖRN returns from a seven year slumber to unleash "Drottningar Dauðans" (Queens of Death)! Nine prickly post-punk slashers baring their teeth on subject matter ranging from social paranoia to full autonomy to drowning in hair. There is a lot of pressure in today's world to be a part of some systemic continuum or to follow a pre-laid path to civic adulthood. Fuck that shit! BÖRN exists outside of any norm or expectation and that is exactly where we like our punk to spring from. 500 copies of 150gr black vinyl housed in a minimal printed inner sleeve tucked into a 24pt reverse board black flooded jacket. Writing, recording and art by BÖRN. Mixing and mastering by Will Killingsworth.

[engl] Uncompromising hardcore punk from the bricked bowels of Chicago. "In Due Time" is five ridiculously tight songs of flawlessly executed frenzy with a hint of winter snot that we couldn't be more stoked about. We thought the "Feeding Frenzy" LP was good but damn, this is pure madness. C.H.E.W. is really a force of nature. Please see them, my words will never do them justice. 150 copies on baby blue and 350 copies on black 75gr 7" vinyl housed in a 12pt reverse board custom diecut sleeve with insert and download card included. Recorded by Russell Harrison and Seth Engel. Mastered by Will Killingsworth

[engl] After a head warping intro "Men And Their Work" kicks into eight driving postpunk rockers full of angst, confidence, feminism, melody, grit and a sense of direction not commonly found in a debut album. Shit, most seasoned bands don't even make albums this coherent. It's a smart moniker as ALL HITS certainly lives up to the promise. There is a 60/40 split of familiar comfort and provocative mystery inherent in every song. You get shouted sloganeering backed with barbed melody and finessed power-ups massaged into the sweetest spots. We can't put our finger on exactly what it is that makes this record so special but whatever it is there is a lot of it. Destined to be a modern classic. Destined to be a modern classic. So much so, that Rough Trade has deemed it their "Record of the Week" for June 26th. Lovely. 300 black, 100 translucent smoky blue and 100 coke bottle clear (a Rough Trade exclusive color) 150gr copies housed in a 24pt reverse board jacket with lyrics insert and download card included.

[engl] Big as a pig and vicious as hell. The torturous maelstrom sounds of bone breaks and thuggish isolationism. Howling feedback underscores the massive swirling riffs and relentless battery of drums. Foul, tumultuous vocals made entirely of the final exhalations of humanity really send this opus to the apex. A perfect band. For those unfamiliar, CØNDITIØN are a raging south Californian corpse-beat unit more akin to the likes of BASTARD than DISCHARGE. Fucking heavy. We couldn't be more excited about this LP. 800 copies on black vinyl come housed in a heavy duty tip-on jacket featuring art by Matthew Adis complimented nicely by a 24x36 poster insert with art by Abe Social & Madison East.

[engl]  The mutilated guitar buzz, hissing vocal fury, Cyberdyne Systems drum processors and brooding atmospheric tekno are a powerful commixture brought to light through the channel of industrial noise punk so we can all start to free the body from the mind. 'The Psychic Hologram' is a mirror, a magnifying glass, a surgical kit and guidebook for self-liberation. Its freedom from flesh. Freedom from violence. Freedom from expectation. Freedom from "them". Us for us by us. 500 copies of 150gr vinyl housed in a 24pt reverse board jacket with 11x22 double sided poster and download card included. Art by Sainte-X. Sound by Capt. Tripps. Mastering by John Golden.

[engl] D7Y is a new and absolutely scorching and ever-so-slightly metallic D-Beat unit featuring members of DAUÐYFLIN and ROHT offering up a 12 track debut that will incinerate all preconceived notions of Icelandic music. Reminiscent of S.D.S., GLORIOUS? or PHYSIQUE. Reykjavík punks have the fucking fire right now so stand close and feel the heat. Greenland must be fully melted away by now because D7Y is way too blazing to ignore. 350 printed inner sleeved copies of 150gr black vinyl, 150 on green, housed in a 24pt reverse board jacket with download card included. All tracking and art by D7Y with mixing help from Jonas Blakklodge.

[engl] 6 tracks of incendiary Icelandic hardcore punk custom built to destroy even the sturdiest of preconceived notions. Have no doubts, these fierce women (and Fannar) of Reykjavík are laying down an unholy path to the icy acid bath that waits for us all. Hell has frozen over. Burn yourself all the way down with this one. Pogo to the prophecy beat. 350 copies on black, 150 copies on marbled turquoise 70gr vinyl housed in an ILR custom 12pt glued pocket sleeve with printed inner sleeve and download card included. Art by the band. Recorded by the band. Mastered by Will Killingsworth. Cut at Golden Mastering.

[engl] Their self titled debut, which consists of four caustic dekompositions, is a bleak and industrial thing filled of layered percussion, wild power electronics, masked vocals and hostile guitars. It starts with sharp stabbing loops and almost jump scares in the first track, moves to a throbbing dystopian rhythm, anxiety builds to climax and teases release by the end of the side. The flip slowly creeps back down to the uncertain hell that we started in. A constant nightmare. A continual circuit exposing issues of imperfection, overstimulation and misrepresentation. This is unpleasant musick. 300 copies of 150gr translucent red vinyl housed in a 24pt reverse board jacket with an 8 page booklet and download card included. All art, recording and mixing by DEFECT PLAY. Mastering by Will Killingsworth.

[engl] Years in the making, the follow-up or maybe even companion piece to 2015's "Positive Energy", "Positive Disintegration" sees the band with a bit more of a pop zap to the ever present post punk dreariness of modern Berlin life... Or even modern life at large as most of the lyrical content has to do with the monotony of barely getting by or trying to have a meaningful exchange with a remotely interesting person. These things are hard to come by most of the time and this music eats at that very feeling. It's almost enough to make you wanna throw in the towel and move to Spain without a care in the world to haunt your remaining days. You probably won't though, you'll most likely listen to this record while you sip your overpriced room temperature coffee drink whilst ordering new bulbs for your anti depression lamp from a major online retailer. It just feels like life is getting away from you, ya know? Dark. 200 copies on translucent orange, 550 on black 140gr vinyl housed in a 24pt reverse board jacket with lyric sheet, poster and download card included. Recorded at DongXuanProductions. Mastered by Daniel Husayn. Art by Yuta Matsumura and Made Ollosp.

[engl] After a scorching demo in 2018, Singapore's DOLDREY have seen fit to unleash a hellish alchemical concoction of scraping hardcore and HM2 death metal riffs over a whiplash of pogoed out D-beats. Imagine CARNAGE covering S.H.I.T./ZOUO songs with the creepy crawl parts from HOAX or DARKTHRONE's slower tunes. Suffice it to say that it is hard punk for metalers AND street tough metal for punks. Classic styles combined to make modern sounds. Sick. 500 copies on black vinyl with an etched B-side housed in a 24pt reverse board jacket with insert and download card included. Recorded by Izzad Radzali Shah. Mastered at Mammoth Sound. Art by Necrofrost.

[engl]  Notes on the theme of YÚ: Combining the English you and Spanish tú, YÚ symbolizes the experience of being stuck between two cultures, struggling to find a sense of legitimacy. It navigates this space and the tension of being pulled in opposite directions – the binary of life: past/future, optimism/pessimism, acceptance/denial, confusion/clarity.

[engl] Picking up right where "Performative Justice" left off with ELECTRIC CHAIR cranking out their pitch perfect hyper active USHC filled to the brim with snarl and style. These manglers have sharpened their sticks and aimed them square at the hackneyed garbage parade that is modern society, just jabbing away at it until all thats left is a bloodied lump and maybe a tooth or something. Listen and bear witness to one of the best punk bands of our generation doing what needs to be done. 1000 copies of Discharge black 70gr vinyl housed inside a stunning silver foiled glue pocket sleeve with 14x14 poster and download card included. Recorded by Detto. Mastered by Jack Control. Art by Collin Buhr with photographs by Dave Hoekje and type/design by Leoff Spennit.

[engl] Though famous for other things (including doing the synths on GARY NUMAN’s iconic “Pleasure Principal” album and co-writing VISAGE’s massive hit, “Fade To Grey”), Chris Payne brought THE ELECTRONIC CIRCUS to life in 1981. At the time, poised to become his next major project, the initial single “Direct Lines” gained little traction and quickly found its way to quiet obscurity. There it remained until some genius made a video using footage from Swedish film “Summer With Monika” that so perfectly fit the surging melancholy of youth’s temporary romances that the song garnered a million views and a new cult of rabid fans (me included! -Jensen). Once this synth-pop perfection enters you it will find permanent purchase and continue to be a joyous wellspring for years to come, truly a gift that keeps giving. This fully licensed official reissue comes on 150 on red and 350 on black 75gr vinyl housed in a reverse board custom die-cut glue pocket sleeve. Originally recorded in 1981 at Pebble Beach Studios in Sussex UK (also where THE ADVERTS recorded the excellent "Gary Gilmore's Eyes/Bored Teenagers single!) by Tony Harris. Remastered in 2021 by John Golden. Art and packaging based on the original 1981 design.

[engl] Coming from the underlands of scorched minds and poisonous everything, FACELESS BURIAL have arrived to ruin you with 34 minutes of blast-surging, malformed death metal mayhem. Hyper-menacing. Grinding. Dirty. Death. Members of Agents Of Abhorrence, White Walls and Internal Rot if you're keeping score. 666 copies on shrouded in mystery colored vinyl housed in a heavy duty reverse board jacket adorned with art by Xavier Irvine. Recorded by Finn Keane, Xavier Irvine. Mastered by Mikey Young.

[engl]  Slow cooked gloomy post punk from the outer realms of the midwestern United States. Nine shuffling stabs of icy bleakness about the fog of existence, psychic waste and drifting aimless in the vein of DIÄT or some of the more brooding TOTAL CONTROL stuff carefully assembled over the last 4 years. We are pleased to welcome FALSE BROTHER to the only format that matters. 300 copies of 150gr black vinyl housed in a heavy duty 24pt jacket with hand made zine, poster and download card included. Recorded and mastered by False Brother. All art by False Brother. Dedicated to Mark Fisher - long live KPunk.

[engl]  "It’s not often that fuzzed-out C86 jangle and brash queercore find common musical ground, Flesh World's inception focused less on their other bands (Limp Wrist, Needles and Brilliant Colors), and more on their mutual love for drag shows and punk gigs, as their vision took form in the under dwellings of San Francisco’s DIY scene." -Max Mohenu/Pitchfork. The Wild Animals In My Life is the first full album and second 12" sized record for this incredible reverb swarm. Knowing and growing from the past unto now, power is the underlying draw here. Lulled by the fist/pummeled by the euphoria. Hearty black vinyl in a heavyweight full color jacket with a poster insert even.

[engl]  A masterful amalgamation of sinister tape loops and unsettling industrial clangs makes 'Denigration Rapture' a hypnotic conflagration replete with pulsing Kraut drones, sampled vocal/musical textures and crunchy power electronics. You can feel the unnatural barbs of the dark forces sinking in while they slowly lull you down to depths and hold you there forever. Drown in this glory. Like the other singles in series 3, there are 300 copies on black vinyl with hand stamped labels housed in a hand stamped j-card sleeve. A one-time pressing.

[engl] From humble beginnings as a do-everything-yourself-because-people-aren't-ready-for-your-vision-yet basement rapper in "The Biggest Little City" (the underground of the underground) comes the rarified and clarified aural juggernaut known as FRKSE. Using a combination of tape loops, power electronics, sampled sounds, synths and some other stress inducing mysteries, FRKSE has found a unique place in the universe. A turbulent plane nestled somewhere between chattering industrial clamor and automatous world meditation. "Desecration Anxiety II" further projects visions of a tormented nirvana beyond the light of consciousness, an uncertain stillness. 300 copies of 150gr black vinyl housed in a 24pt reverse board jacket with insert and download card (though there are vinyl only tracks that are not included in the download). Artwork based on "Desecration Anxiety I" created by DAS/Auris Apothecary. Photography by Reid Haithcock. Mastered by April Golden.

[engl] Your favorite mid-tempo manglers are back and you should hold on to your fucking shit because this noisy hardcore punk outfit will make you want to fight someone. GAG is from Olympia WA and bring deranged, distorted and noisy hardcore with strength and anger. This record is a continuous attack on your senses. And I mean that in the best possible way! Ferocious dissonant hardcore focused in intensity and all-out rage. Experimental hardcore, an album of feedback and reverb drenched punk. A storming sea full of noise, with delayed waves! Our friends at sorry state said: I've loved this band pretty much from the beginning, but "Locker Room" just blows away their previous records with heavy, spot-on production and a complete sense of recklessness that very, very few bands are capable of capturing on record. Much like Gay Kiss and Avon Ladies, Gag at their best have this way of combining the meathead brutality of Hoax with something more dissonant, uncomfortable and exciting. Basically, what that means is that the bass player is playing a total pit-clearing riff while the guitar player(s?) just wail out with sheets of noise over the top. A simple formula, perhaps, but one that is executed to perfection here. This is the type of band you expect to see people emerging from the pit bruised and bloody after watching them. Their earlier releases perhaps left a bit to be desired fidelity-wise, but this 12" hits with maximum impact. The sound is raw, fucked, and wild hardcore with a heavy delay on the vocals and weird changes throughout. If you like bands like GISM, Church Whip, or United Mutation not just for their aggression but also for their weirdness as well, you'll flip for GAG. You want any references? I don't have a clear one! Listen to this beast and judge for yourself! The only thing I can say, the flagship of the NEW WAVE OF INDUSTRIAL HARDCORE IS BACK! This is music for freaks! Play it loud, get weird and spread the noise with the upside down smile!