[engl] In August of 1978, the young and burgeoning scene of Richmond, VA was rocked to it's very core by the untimely and tragic death of Ralph Harper - the frontman for one of the area's earliest punk bands known as RICKY AND THE WHITE BOYS. The city mourned the loss of their 23 year old comrade. Once the grief had subsided enough, Ricky along with a couple of the other members of the White Boys ultimately decided to form a new outfit to pick up where they'd left off. After a slew of auditions with hopeful candidates, they found their new band leader in the form of a Jersey transplant named Christine Gibson who's voice and personality were like none other they'd ever encountered. Earning their band name (which was in honor of the prominent beaks of the majority of the band) via the popular vote of the crowd at their first live gig in December of that same year, what followed was a blur of gigs throughout the Mid-Atlantic region and the creation of catchy and timeless punk songs that went hand in hand with Gibson's inability to even remotely suffer anyone's bullshit - be it from a smart ass in the crowd or within the ranks of her own band. While the latter would lead to some lineup changes in these formative years, little did all involved know that it was the beginning of a rock and roll odyssey that carries on to this very day. This record compiles the band's first couple studio sessions that yielded a pair of classic early American punk singles: 1979's " (My Heart Goes) Beat Beat b/w He Obliterates Me" on Wasp Records and 1982's "Butch b/w Empty House" on the great Zero Degree Records along with unreleased tracks from each session that have been lovingly remixed and remastered by Chris Corry. Each record comes in a stunning gatefold jacket featuring never before seen photographs, flyers and other imagery from four decades ago along with liner notes by founding guitarist Richard "Ricky" Buchanan, all of which give those who are curious a glimpse into the formative years of the mighty BEEX.

[engl] This 12" brandishes 9 tracks of absolutely driving hardcore punk rock with the unmistakable bullhorn vocals of Martin Sorrondeguy, steering this careening blur in and out of tightly written musical corners. Featuring members of Sin Orden as well, there is a lot of Chicago punk rock DNA in here manifesting itself as aggression draped in burning, melancholic guitar leads and an unpredictable hazy melodic wash. Like Greg Sage ghost writing a Naked Raygun track while vacationing in Southern California! Recorded by guitarist Scott Plant and mastered by Jonah Falco, each record comes in a UV Gloss jacket adorned with art by Martin.

[engl] "What you hold in your hands is not exactly for you. It is not a delight for your senses, nor sonic inspiration for transgressing your restraints. It is not your empowerment tool. It is manifestly theirs— a portal to their arena of power, powerlessness, joy, hate, anger, fear, and failure. None of it is yours. Still, can you plug in, tune in, lock in to their dial? Are you capable of not giving in to escape and instead absorbing it? Are you capable of asking for more? You want the channel? Here it goes: the channel is walk into the dark and dance. Bop and beg. Lean and laugh. Stare and stomp. Afterwards, go ahead and yell “I failed!” Ride along to the signal-notes that ring like sirens across the city warning you that an odorless noxious gas has just been released into the air. But don’t run. Instead, lean into the pulse. The channel is bop your head, bounce your ass, sing, wade, stomp, and scream. Canal Irreal has rescinded and revoked your access to the splendid metropolis. The channel is fuck you. The channel is don’t ask them about Chicago, you don’t know it. The channel is don’t ask them about the fish; the Lake has consumed them all. Walk toward the darkness. Listen to the whispers and less to the wind. Lift your arms up to the melodic swings. Bounce your feet to the snap of the snare and flow of the bass. But don’t lose yourself—lock in. Are you capable of asking for more? Find the canal, or be clicked out by the clicker. Hold on to the wavelength or go back to normie-land. Canal Irreal is not hard or dark, it’s a portal to the personal, to desperation and exasperation. Go ahead and scream: “Doy todo y mucho mas.” This channel is not for your liberation. But do please tune in. What channel are you on now? Canal de mierda. Canal de chingado. Canal de sobrevivir. Canal Irreal. Bienvenidos." -Mike Amezcua Each copy of "Someone Else's Dance" is housed in a stunning jacket along with an 8 page zine, both of which were designed by singer Martin Sorrondeguy.

[engl] Maxime Smadja has held many positions of note in some of the more exceptional French underground groups of recent years. For instance, you might know him as the beastly beat keeper behind Paris Oi band RIXE or the song writer behind the ever so catchy BOSS but for those who have yet to be initiated this is CONDOR - a one man band and love letter of sorts to his homeland and the particular strain of Oi / Punk music that it started yielding well over three decades ago. Previously only available on a pair of scarcely pressed and circulated cassingles, Beach Impediment Records is ecstatic to further the circulation of these six songs on the vinyl format. Channeling the brightest moments of the classic compilation series "Chaos En France" (and really, anything else on the Chaos Productions label that's worth a damn) combined with an execution so precise and well crafted that it carries that undeniable trademark of Smadja's many other contributions to the genre of punk over his time in it due to it's attention to detail and adoration of quality. And as a special bonus this slab features an additional track that is exclusive to this release - a cover of "Vengeance" by the 80's Parisian Oi outfit D.E.M. Each record comes in a jacket featuring the stellar art of Beau Richie depicting what I'd assume must be a typical day in one of the abundant alleyways that weave through out the City of Lights, plus a killer 18" x 24" fold out poster insert.

[engl] At long last, as a follow up to the 7" on the band's own Charm School label a few years back, we are granted the debut 12" by Boston's DAME. Though currently spread out geographically, the quintet were able to capture these modern classic tracks of post punk / gothic brilliance at Side Two Studios before the world turned upside down on us all. Equal parts melancholic and haunting, these seven tracks permeate the deepest corners of your psyche, refusing to vacate for quite some time. Each record comes in a full color jacket along with a fold out 24" x 24" poster insert, both of which feature art by guitarist Anna Cataldo.

[engl] Polish Hell, Pittsburgh's EEL have once again crawled out of a dimly lit basement a few blocks from Gooski's to offer up their most forceful effort yet. "NIGHT PARADE OF 100 DEMONS" is the culmination of a band spending half of a decade perfecting their particular interpretation of the microcosm that is punk. The end result is eleven tracks of violent and destructive commotion that seems to mirror the world that has always surrounded us but is becoming far more apparent as of late. Once again, these freaks of nature achieve their prime objective - bombarding the listener with a relentless barrage of their rust belt style noise drenched hardcore punk... an all out aural assault. Each record features stunning black and white cover art by the legendary Japanese hardcore artist Kazuhiro Imai accompanied by a stellar piece on the reverse by Luke Kislak.

[engl] While one should hesitate to use the term "super group," it would be kinda hard to not consider utilizing some kind of label in that vein in regards to Portland, Oregon's FETISH. For starters if we're gonna talk about genre altering personnel within the ranks of this group, you'd have to note that this recording showcases the first time that Thee Slayer Hippy and Vegetable have come together to create ugly hardcore punk music since their stint together in the "War All The Time" era of the legendary Kings of Punk POISON IDEA three decades ago. It also doesn't hurt that 3/4 of PDX punk heroes LONG KNIFE (Colin Jarrell, Scott Goto, and Chris Reid respectively) are in the mix as well along with later era PI guitarist Brandon Bentley. Their debut track "TAKE THE KNIFE" showcases the sheer power of this group and is just a sign of what is to come with the band's full length record that will hopefully see the light of day later this year. On the flip side, a stirring rendition of LOVE's classic track "A House Is Not A Motel" closes this one out leaving us hungry for more. Each record comes in a glue pocket sleeve featuring cover art by the talented Joe B.

[engl] FRIED EGG are back with a new EP for Beach Impediment Records following their debut 7" on Negative Jazz and a self-released flexi. For the uninitiated, FRIED EGG have been one of Central Virginia's most exciting and original hardcore punk acts to watch over the past couple of years. Their style has a very contemporary feel, yet manages to stand out based on consistently inventive songwriting that is matched with the finesse and power that belongs in the hardcore punk genre. "BACK AND FORTH" boasts four new cuts (tracked live including vocals for anyone keeping score) that truly stand out from the pack. From the precise and original guitar lines to the absolute wrecking crew of a rhythm section, FRIED EGG have produced an EP that commands your attention - a stark, original effort that obliterates any generic, poorly recorded garbage in its way. Need we say more? Each copy comes housed in a glue pocket sleeve adorned with artwork by Nathan Ward.

[engl] After ten long years away from the studio, Gentleman Jesse returns to us bearing a new ten-track album that benefits greatly from the wisdom and heartbreak that a decade of life on this planet affords. An album titled "Lose Everything" is bound to have its dark side, and behind the powerful melodies and jangly guitars a hint of sadness hangs in the air. But Jesse makes a bad time a good listen—after all, he's responsible for tunes like Carbonas' "Phone Booth" and his debut single "I Don't Wanna Know." While age tends to water down the output of older musicians, it's had the opposite effect on Jesse. Gone is any semblance of kitsch or power-pop convention. Also gone are his band—he's flying solo this time. What remains is a dazzling, mature earworm of a guitar-pop album. Each record comes in a matte jacket adorned with the photography of Riley McBride and also includes a lovingly assembled booklet featuring lyrics and original woodcut prints made by the Gentleman himself.

[engl] In the summer of 1982, an already burgeoning scene in Richmond, VA saw the arrival of some new blood in the form of GRAVEN IMAGE. Taking both inspiration and influence from the hardcore punk explosion that was well underway all over the world, these youngsters who met at a local skate ramp channeled their aggression through the no bullshit hardcore punk that they churned out in their few years of existence. Having shared the stage with a veritable who's who of punk at the time (BAD BRAINS, MINOR THREAT, NECROS, C.O.C., VOID, THE FU's, etc) throughout the Mid-Atlantic, the band's explosive live performance fronted by the powerful and charismatic Dwayne Curd was evidence that they could hold their own when billed with the aforementioned titans of the genre. "THE STUDIO SESSIONS: '82-'83" features the entirety of GI's recorded studio output - first from the "YOUR SKULL IS MY BOWL" session circa fall of 1982 that became the extremely rare and sought after split tape with fellow local juvenile upstarts HONOR ROLE, and lastly from the "KICKED OUT OF THE SCENE" EP session that was recorded in 1983 and released the following year, plus some previously unreleased tracks from each of the studio outings that yielded these 22 tracks of USHC fury! Carefully transferred and restored from the original reels, each record comes with a 12 page booklet chock full of photos, flyers and even some liner notes from guitarist Nick Smilek and drummer Joey Boisineau. For admirers of early American Hardcore and not much else

[engl] Melbourne, Australia’s most feared hardcore cyber-vandal cell returns to wreak havoc on your network and your dance floors with the four-track “Psy Wi-Fi” EP. Following up the tightly-wound attack as heard on 2021’s “Pick A Path” 12”, Hacker have defragged the hardware and blown the dust out, striking again with more slightly more expansive songwriting. “Psy Wi-Fi” marks the welcome addition of a pinch more metal in the guitars and a fistful more pummel in the breakdowns to their established blueprint of direct, charging hardcore riffs, a rhythm section that is as agile as it is powerful, and one of the most expressive, capable and rabid vocalists in punk today. Update your firewall all you want, Hacker is coming. Expect them. (Neil Bramley)

[engl] After turning some heads with their debut 7" entitled "SHUTTING DOWN" released on the high quality Feel It Records label back in 2017, HAIRCUT have finally unleashed their follow up with the "SENSATION" EP. Four tracks of pummeling hardcore punk that retain the velocity and ferocity of the band's previous output whilst adding a decisive dose of meat and potatoes to the sonic formula, all the while Juliana belts out lyrics in both Spanish and English at a feverish pace. As we collectively sit on the cusp of entering the 2020's within a matter of months, HAIRCUT is a wonderful reminder that when it's done with equal parts precision and passion there's just no room for the gimmicks, posturing or other eye roll inducing baggage that tends to afflict the genre of hardcore punk, be it regionally or internationally. Such purity can stand on its own two feet and present itself loud and proud which is something that all enthusiasts can take great delight in as this genre cascades into yet another decade of continuation. Each record comes in a glue pocket sleeve with art and layout done by Colombian punk artist Juan Sebastian Rosillo.

[engl] Emerging from the swamps of “the other Bay Area”, Tampa, Florida’s Heaven's Gate debut with their first release, a self titled 12" released via Beach Impediment Records. Heaven’s Gate consists of Tony Foresta (Municipal Waste) on vocals, Mike Goo (Warthog) on guitar, Jeff Howe (Reversal of Man) on bass, and Paul Mazurkiewicz (Cannibal Corpse) on drums. Consisting of five tracks that merge an amalgam of hardcore, punk and extreme metal's most aggressive elements, this initial offering from HEAVEN'S GATE showcases a range of colliding styles that are to be expected from these veterans of varied approaches to heavy music. Recorded across 2022 by Jeramie Kling and Taylor Nordberg, mixed by Will Killingsworth and mastered by Joel Grind, this one sided 12" with a marvelously etched b-side adorned with the band's logo is set to drop Friday February 24th, 2023. Each record comes in a full color jacket featuring the intricate artwork of Alexander Heir (Death Traitors, L.O.T.I.O.N.)

[engl] Previously released on CD earlier this year by the great Break the Records, Beach Impediment is proud to be handling the vinyl pressing of the debut release from Japanese hardcore punk powerhouse INTENTION! Hailing from the Nagoya and Mie regions of Japan and featuring members of CONFRONT and HUMAN DESPAIR among others, the "BRAND NEW STORY" 12" showcases 7 blasts of full-force Burning Spirits descended hardcore with blazing guitars, a commanding rhythm section, and frenzied vocals. Each record comes in a thick gatefold jacket adorned with stunning full color art by the iconic Japanese hardcore artist Sugi. Limited to 500 copies.

[engl] When admiring a piece of cultural and historical significance it's not uncommon for the admirer to question where it all began; to trace it all back to the epicenter of the event that set it all into motion. If RICKY AND THE WHITE BOYS were the punk rock meteor that crashed into an unsuspecting Richmond, VA in the age of disco then L'AMOUR was the shock wave immediately following that fabled and chaotic impact event, forever altering the cultural landscape within the city limits. Formed in 1978 by a couple of disciples of rock and roll who'd had their lives altered by said genre / belief system in the years prior to that, Tom Applegate and Dave Stover recruited other like minded rockers to aid them in their aural conquest over the next few years that followed in the group's all too brief existence. In that time they left behind a trail of broken bottles, perhaps a few broken hearts, and definitely some perturbed club owners up and down the east coast. But most importantly, the fellas in L'AMOUR left us with documentation of their rock in the form of some long forgotten tapes. Nearly 40 years after the band entered the studio to lay down tracks for their first and only 7" single on the band's own legendary ZERO DEGREE RECORDS (a label that became synonymous with the release and widespread circulation of the early Richmond punk scene that was soon to follow), Beach Impediment is proud to not only re-release those classic songs but also bring to light a slew of previously unreleased tracks, alternate demo takes, and even a rare later era soundboard recording of the band live in their hometown that exhibits a grip of originals that sadly never made it into the studio before the band's untimely demise the day before Reagan took office. Lovingly transferred from the original 1/4" reels (some of which were a wee bit moldy after years of being M.I.A. but were thankfully salvaged via professional cleaning) along with a new mastering job, these tracks hit harder than ever! Members would go on to play in other classic and ground breaking Richmond bands like BEEX and THE PREVARICATORS. Each record comes with a fold out 12" x 24" double sided insert chock full of archival photos and flyers plus liner notes from Tommy the Rock himself that give the reader a glimpse into the counter-cultural explosion of the late 70's / early 80's in the land once known as Dixie. Electric guitars were (and still are) their only desire. Limited to 500 copies.

[engl] Nearly four years after delivering a handful of demos along with a live tape then seemingly dropping off the radar release wise, Bloomington's LAFFING GAS swing back at any and all credulous hardcore punk enthusiasts who might have forgotten about them or thought they'd just run their course and faded into obscurity as so many tend to do. "It's a Beautiful Day in the Gulch" showcases 10 blazing tracks of classic Midwestern hardcore punk, the vibe of which is more in debt to the revolutionary aural offerings of the early Touch and Go and/or Version Sound labels or even Kick N' Punch Records as a slightly more modern reference than what the region has become synonymous with in more recent times. Each record comes in a stunning glossy jacket featuring art and layout by the band's guitarist Kora Puckett.

[engl] The third chapter in the decade long existence of one of the most depraved Portland hardcore bands ever. If you know, you know, as LONG KNIFE has channeled and perfected the POISON IDEA sound, though if you pay attention to their catalog, you can see how they have evolved into their own beast over the years, making the PI comparisons trite. Every song on this record offers something different, whether it’s keyboards, horns (yep), what sounds to be operatic gang vocals, or just straight up hardcore bangers. This LP still maintains the intensity, insanity, and aggression these maniacs are known for, though there seems to be a bit more melody thrown in under the chaos this time. The riffs, solos, bass licks and Colin’s vocals/lyrics are just as awesome as ever. And of course, the lyrics are just as cynical, disturbing, and well written as we’ve come to expect. There is no slowing down for these guys and the Earth is ready to be curb stomped again and again with LONG KNIFE’s fucked up pummelling songs for these fucked up times. Each record comes in a deluxe package - thick jacket, printed inner sleeve and a huge poster plus stunning cover art by Alina Radetsky.

[engl] Well shit, PDX's 21st century Kings of Punk have graced us with yet another slab of the hardcore punk perfection that they've been crafting for quite some time now! The world we live in has changed considerably since 2017's "Sewers of Babylon" EP and that is reflected in these two songs that serve as a precursor to the band's forthcoming and long awaited full length. While keeping to the tried and true hardcore punk formula that has served as a sonic vessel for numerous trips around the circuit there are some far more rocking elements in the mix this go around which is just a taste of what is to come. Each record comes in a full color glue pocket sleeve featuring a rather arousing back cover.

[engl] Following a couple years of relative dormancy after a series of tours in support of a well received full length that spanned various continents, PDX punk heroes LONG KNIFE return with five tracks of sonic venom in the form of the "SEWERS OF BABYLON" EP. The recipe remains the same, the delivery just as biting, and the addition of Keith Testerman on drums (WARCRY, LEBENDEN TOTEN, HELLSHOCK, etc) adds even more to the already savage total package. Portland's 21st century Kings of Punk are still alive and well. Each record comes in a glue pocket sleeve with full color cover art by Dennis Dread.

[engl] While this is titled “Demos Collection,” it’s actually a discography–the collected works of one of the most ferocious hardcore groups to come out of the Southeast in the last decade. Mercenary’s noisy, heavy riffing blends Scandinavian and Japanese influences, and the drums blaze a frantic d-beat. It’s the vocals, though, that propel their recordings into the stratosphere. Vocalist Michael “Ruby” Rubenstein was at his most unchained in Mercenary, and his performance here has been likened to a “Neanderthal’s battle cry.” While modern science has concluded that Neanderthals were complex primates capable of art and symbolic thought, they were probably terrifying to face in a struggle for survival. While they had some enticing opportunities, the band never committed anything to vinyl save a comp track. They broke up in 2015, leaving behind two tapes and achieving legendary status for their pummeling live performances in Atlanta. In 2021, Ruby passed away unexpectedly, a devastating loss for friends, punks, and music dorks around the world. This album is not only a brutal slab of tuneage, it’s also an important artifact representing Ruby’s life and his love of music. The tracks on this LP have been remixed and remastered to better capture the band’s intensity, and the album comes with a foldout insert and a photo of Ruby in action along with stark cover art by Joe Della. If Mercenary flew under your radar the first time, you missed out. Snag this once and future bonzer now. Proceeds from the sales of this record will go to a mural in memory of Ruby as well as the Atlanta Harm Reduction Coalition. Limited to a one time pressing of 500 copies.

[engl] By now, it's not surprising that the dissemination of the hardcore punk movement in it's infancy seeped into the pores of nearly the entire planet. Of course, all the major cities worldwide developed burgeoning hardcore scenes that yielded the classics we know and love but there's something to be said about the less known spots on the map and their select inhabitants that were swept up in the fervor of it all, like some of those in the sleepy valley town of Roanoke tucked away in the tranquil Blue Ridge mountain region of Southwest Virginia. It was in that city, circa 1984, that four teenagers came together to form ??? or, for the non-Cyrillicly inclined, simply MNP. The band name, pronounced "Mihr" and which translates to peace, was also the group's mission statement and driving force in their brief existence. Having played a slew of gigs locally and elsewhere alongside contemporaries like CORROSION OF CONFORMITY, SCREAM, BATTALION OF SAINTS and DEATH PIGGY among others, they left as quickly as they came, disbanding in the summer of 1985 before most of the members left for college. Thankfully, the band entered the studio earlier that year before calling it a day. The tracks that made up the criminally underrated and sparsely circulated "MINDECISION" cassette are a crucial entry into the annals of early Virginia hardcore punk history, featuring twelve cuts of scorching USHC executed by small town high school kids. Remastered from the original reels by Chris Corry, each record comes in a jacket adorned with the original cover art by drummer Lawson Jaeger, featuring a 12" x 24" insert chock full of live photos, flyers and other ephemera plus liner notes by guitarist Spencer Edmunds. Limited to 550 copies.

[engl] From the ashes of a pandemic stricken Long Beach, CA comes MOMENT OF FEAR! Long time PDX based screamer extraordinaire INSANE AKA Tony Bartek (of RELIGIOUS WAR, THE CORPSE, ROTTEN CADAVER and loads of others) has returned to his ancestral homeland to churn out more of that ace hardcore punk he's become known for over the past few decades. Mastered by Jack Control and featuring cover art by Todd Janeczek, the 3 tracks on the "COVID SESSIONS 2020 EP" are a barrage of hardcore racket that will please the ears of absolute maniacs and purists alike.

[engl] MONEY? MONEY. MONEY are the Texas blackened metal punks who dropped that FINAL BAG Demo and 3 A.M. ETERNAL EP on us in recent years. It can be hard to keep up with the deluge of mostly bullshit that comes up on a daily basis but MONEY stands alone. Their "members of" list is impressive but it’s unnecessary in light of the blistering 1-2 of licks and rapid fire drums. And while the aforementioned releases came into being via cassettes on the great Roach Leg Records and from the band themselves respectively, B.I.R. is proud to have these 7 corrosive tracks on vinyl for the first time. Amphetamine fueled riffs for moral decline. MONEY. FFO: Darkthrone, Anti-Cimex, Sepultura, G-Zet. Remastered by Arthur Rizk, this collection of the initial efforts by MONEY is both for the well acquainted and those who might have missed the tapes when they dropped. Limited to 666 copies, half on COKE bottle clear and the other half on powder white vinyl. Each record comes in a jacket featuring art by Curse of Face and logo by Joe Chatt. Yee.

[engl] Hailing from what could arguably be called one of the epicenters of great modern punk music, Austin's MUJERES PODRIDAS have broken their studio silence of a few years to deliver an absolute monster of a debut 12" slab. Considering the personnel in question here have served time in groups like CRIATURAS, VAASKA, KURRAKA in addition to already churning out two excellent releases in this current project, it comes as no surprise that "MUERTE EN PARAÍSO" exhibits 11 tracks of punk perfection with tight musicianship that can hold its own before being catapulted even further via the unmatched vocal delivery of Dru Molina, frantically spewing vitriolic acid in the Spanish language. Recorded at Deep Space 3 on Halloween of 2020 and mastered by Dan Randall at Mammoth Sound Mastering, each record comes in a glossy jacket adorned with stunning full color art and a fold out 11"x17" insert, both of which were designed by the bands own Phil Gonzalez.