ProductDetails

  • 01. Ghetto Blaster
    02. CEO
    03. Marry me
    04. Lilac Tree
    05. Change
    06. 4 AM
    07. Sweet Jesus
    08. Slamino Day
    09. Oscillo Trail
    cover

    BRYAN MAGIC TEARS

    4 AM

    [engl] Remember those moth-eaten American bands on unreachable Midwest labels that, in the mid-1990s, would drop choruses that would make the Smashing Pumpkins green with envy, with the crummiest sound in the history of electricity? Maybe not. Well, Bryan's Magic Tears could have been one of them. This project launched four years ago by Benjamin Dupont (Dame Blanche), which features members and ex-members of La Secte Du Futur and Marietta, indeed has it all to occupy this niche, which, by the way, has quite fallen into disuse these days: toxic melodies, guitars oscillating between whiplashes and caresses, ghostly sonorities and a convoluted name referring to some obscure Parisian acid dealer. But wait: this is not about a vain stylistic exercise put together by some gifted kids who fantasize about a time they missed, nor a sad revivalist meeting of old farts who still haven’t gotten over turning 40. If listening to Bryan's Magic Tears brings the 90s to mind, it's not because of the sound – which, as it happens, is very close to that of their tour partners Le Villejuif Underground or Jessica93 – but because of a state of mind that was peculiar to the time and to this particular moment in adolescence, when the last illusions aroused by the fall of the Berlin Wall were slowly fading away, when the dark clouds of the first Gulf War were piling up; this carefree, jaded spleen perfectly depicted in Gregg Araki's films or in songs by Sebadoh, Beat Happening or Nirvana – or even in this famous line from Lou Reed's "Romeo Had Juliet": "It's hard to give a shit these days ". A state of mind that remains pure, intact, limpid in Bryan's Magic Tears music, free from any posture or cynicism, at the service of insane titles – real hazy hits forged in some triumphant fire – which made their first album, released late 2016 on XVIII Records, one of the most beautiful records to come out of the French independent scene in the 2010-2020 season. And we find it again today, even more intense and precise on xxxx, a collection of insane hits – “Ghetto Blaster", "CEO", "Changes", the whole album could actually be mentioned. A record made for those clear and cool days of spring when everything suddenly looks brighter, clearer and more intense. A record that recalls what it feels like to miss the last train of the day and realize you are just short of what it would cost to buy a ticket for the next day. An obvious, indestructible, lunar, romantic, arrogant, phlegmatic, disillusioned record. In short, a record that makes you wish you were 18 again. How many bands could be talked about like that, these days? PRs & managers would kill for such a story - this one is 100 % accurate and happened just like any great story : by chance. Just like the music of the Villejuif Underground, the result of happy accidents and unholy alliances, something that was never meant to be but became an astonishing fandango of sorts. Think Fat White Family covering Oingo Boingo with Beat Happening’s gear. Think Beck’s One Foot In The Grave remixed by Daniel Johnston and Brian Wilson. Think Ausmuteants, the Spits, the Feeling Of Love or A Frames when they really nailed it. Actually, you shouldn’t think about any of this cause whatever you do, you’ll still be far from reality. Way too far. Especially now with the release of When Will The Flies In Deauville Drop?, their second album and the first one on Born Bad Records. 11 tracks in a bit less than 40 minutes. 11 clumsy love letters to heavy backpacks, haunted castles, sleepy parisian districts and tours in China - which happened by total chance, thanks to some girl found asleep on their couch on new years eve. 11 reasons to think there’s a way out of 2019 - already. Your stormy love story with the Villejuif Underground starts here. Be sure to enjoy it. To the max.
    Format
    LP
    Release-Datum
    07.12.2018
    EAN
    EAN 3521381550061
    Format
    CD
    Release-Datum
    07.12.2018
    EAN
    EAN 3521383450055
     

Einsortiert unter

 

Mehr vom Label »Born Bad«

  • FRUSTRATION

    Empires of shame

    [engl] Introducing them for the umpteenth time would be disrespectful. But reminding everyone of why they’re essential can’t hurt. They’re closely intertwined with Born Bad’s rise to fame, being thei
  • cover

    CLOTHILDE

    Queen of the french swinging Mademoiselle 1967

    Auch wenn sie nie denselben Bekanntheitsgrad erreichte, wie andere französische Chanteusen der 60er, zählt Clothilde trotzdem als die Queen der "Swingin´ Madmoiselles" und eine der charakteristisch
  • cover

    VOX LOW

    Debüt

    [engl] “There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves. The Count’s eyes gleamed, and he said: ‘Listen to th
  • cover

    MAGNETIX

    Drogue Electrique

    [engl] Garage spiced r'n'r from France. Their music often gets compared to Thee O Sees, Mark Sultan, Gories, Mojomatics, Fuzztones etc...!!!
  • cover

    V/A

    ROCK ROCK ROCK French Rock and Roll 1956-59

    Mit Rock Rock Rock hat Born Bad einmal mehr einen klasse Sampler mit ultrararem Franzacken-Shit am Start! Diesmal dreht sich alles um französischen Rock´N´Roll aus den 50s! Mit dabei sind: Dick Ras
  • cover

    V/A

    DISQUE LA RAYé - 60's FRENCH WEST INDIES BOO-BOO-GALOO

    [engl] Suddenly, as soon as the first piano notes are heard, a hysterical frenzy transcends the venue: musicians waddle onto the stage, dancers rush on the dancefloor, their patent shoes gliding on the lacqu
 
Zeige alles vom Label »Born Bad«