With what was once considered a totally abandoned project French free jazz pioneer and stalwart François Tusques stumbles upon a series of shelved recordings from 1969 which further bolster the discography of historic French improv. Having lurked in the dark shadows for exactly 50 years this mutated micro-vile of youthful elixir and rebellious invention documents what would have undoubtedly been regarded as an important supportive pillar of the movement had it been released on vinyl during those formative years. Entitled Nosferatu as both a reference to a photograph taken by legendary photographer Horace, whilst shrouding a sly wink to film director Jean Rollin, this music is the first glimpse into a wider vampiric vault comprising a host of key figures from the Actuel/Futura/Palm universe… an historical artefact indeed. These newly excavated recordings not only mark the dawn of Tusques’ large group activities, and what would become his inter communal orchestras in the coming decade, but they also see the beginnings of thematic and pictorial free-jazz auto-composition with heavy leanings towards the fantastique trends in film and pulp literature that proliferated in French art at the turn of this important decade. A potential thematic precursor to the Palm Records releases Watch Devil Go by Jacques Thollot or Such A Strange Planet by François Jeannaeu (the latter being decidedly less spontaneous) this release is an essential jigsaw price in one of Europe’s most puzzling anti-genres.