ProductDetails

  • cover

    PATOIS COUNSELORS

    Proper Release

    [engl] Here we have it. Patois Counselors and their debut album Proper Release. Eleven slashes, eleven perfectly nervous trips to the well. And this North Carolinian band has landed in a welcoming hangar -- New York City’s always-adventurous Ever/Never Records. It is readily apparent from lead-off cut “Disconnect Notice” that Patois Counselors bends towards the arch of Pere Ubu’s storied catalog, but instead of tripping on cracked street waves, they are on their front porch watching the sunset with a lukewarm beer clutched tight and wondering, “What next?” No Cleveland junk sunset for Patois Counselors, there’s a different kind of graveyard haunting these woods. Patois Counselors have given us an embarrassment of riches for a confederacy of dunces. The album title comes off as ironic maybe even a hint of the erotic, but to interpret any manner of cynical bluff into PC’s full frontal attack is to admit a lack of imagination on the listener. Don’t let Patois Counselors’ easy Southern charm distract you from the detailed, focused intensity of its sound. Guitars buzz and clang in queasy unison, synths channel inherently melodic cicada hum, many of the songs containing noisy interludes streaked with melody. “Last Heat” vacillates menacingly, as “Get Excitement” slinks around with the pent-up humid sway of deep summer. “Repeat Offender” smacks you back awake with rapidfire Devo moves and yet another chorus to write home about. “Making Appts” takes those sideways electronics steps that Parquet Courts occasionally indulges in and teaches it the proper dance protocols. A track like “The Modern Station” is as up-to-now as you can be in this media blitz age -- right-angle riffs rub up against double-tracked vocals, breaking down the future-modern dichotomy. But the craziest trick Patois Counselors pulls off is closing out the album with possibly its finest track, achieving a true zenith. “Target Not A Comrade” retains all the previous ten songs’ post-punk tension while seamlessly welding it to what could be the effortless pop shimmer of Psychedelic Furs. -e/n
    Format
    LP
    Release-Datum
    19.05.2018
     

Einsortiert unter

 

Mehr vom Label »Ever/Never«

  • cover

    AL KARPENTER

    If We Can´t Dream, They Won´t Sleep!!

    [engl] Strange connections -- Bilbao meets Japan via Berlin on a record that will put you in a constant state of WTF. ASMR rock? Post-internet punk? A political manifesto in times of generalized madness? Af
  • cover

    OBNOX

    Wiglet

    [engl] The people say they want the truth. Let’s take them at their word: The People want the Truth. Lamont ‘Bim’ Thomas is the god(damn/’s honest) Truth. We all know the truth isn’t always pret
  • cover

    RIDER/HORSE

    Feed 'Em Salt

    [engl] How bad is it out there? Is this the preapocalyptic era? Or are we the proverbial frog in boiling water and the end of days is already here? Maybe this is just late-capitalism Suck City. Whatever the
  • cover

    HOUSEWIVES

    s/t

    [engl] Punk in the age of infinite duplication. Endless algorithms -- strands of digital DNA wrapping like loose cords around the arteries of daily life. We find ourselves mannequin-ed -- gazing longingly a
  • cover

    WILFUL BOYS

    Anybody There?

    [engl] New York City’s Wilful Boys is hard rock the way it once was -- and should always be -- for now and forever, amen. You know Wilful Boys are old-school from the start, as mainman and singer Steven Fi
  • cover

    STAFFERS

    In The Pigeon Hole

    [engl] Staffers is the brainchild of Ryan McKeever, a DC-by-way-of-Omaha musician and songwriter. After several years of extensive touring, McKeever assembled a full-fledged band and a new cassette, In The P
 
Zeige alles vom Label »Ever/Never«