[engl] Fuzz guitars, beating drums, sweat and groove! Black Boys On Moped come from Rennes, France, and play fast and loud. Their garage rock smells oil, gas and beer. Highly recommended to every fan of Jay Retard, Black Box Revelation and Bass Drum Of Death!

[engl] The Blues Against Youth lastest effort “Good Morning Bad Feeling / Deprecation Road”

[engl] From the opening track Hanging Church (feat Spencer P. Jones with a trademark solo) The Braves take you on a sonic ride that will convince you that they are on the up. Formed late 2012 on the outskirts of Melbourne, Australia, The Braves came cutting through the surrounding noise to create a sound and a notoriety that is uniquely their own. Starting with Djesse Bolte on bass and Kelly Watson on guitar, the two quickly found the drummer to suit in Ethan Leversha, the last outcast in town. With a mission statement fully in tact and the sound to follow The Braves started playing every opportunity they got from warehouse parties to backwash bars, artist collectives to the deserts and anarchist centres while building the ever-evolving mould of their music.

[engl] Think about Reigning Sound at its best, you get The Buxom Blade!

[engl] ‘Bide My Time Until I Die' features the Toronto duo slammin’ out 10 new bangers that capture both the simplicity, and the energy of their live shows. Recorded over 3 different sessions, one in Memphis and two in Toronto, CATL. wanted to make a record that allowed each engineer to interpret the songs in their own way. Adam Hill at Sam Phillips Studio, Jeff McMurrich at Sonology, and Walter Sobczak at Revolution Recording had no idea what the other engineer was up to and were left alone to do their thing. Garage Rock legend Jim Diamond (of the now defunct Ghetto Recorders studio in Detroit) brought it all together in the mastering process, somewhere in France.

[engl] Part Two of the Cellophane Suckers’ 45 RPM session series, 9 Tracks! WHITE VINYL running on 45RPM!

[engl] Chatterbox is a French duet born from its passion for Flying Nuns and the Scottish C88 scene. Their debut LP was recorded at Kerwax by Christophe Chavanon and here comes a raw and minimalist pop magnified by a delicate and ethereal female voice reminding of the ghosts of Young Marble Giant, The Vaselines or Rowland S. Howard.

[engl] Chicken Diamond is the French lunatic that has already given us 4 albums of terrifying primal blues that sound like he is backed by the lost lords of rock’n’roll. This record takes the music away from that and creates something even more compelling. His vocal changes too, it’s not just that gargling gravel and petrol growl. He sings and even croons... The music has moved forward too, oh the blues are still there, and, trust me, they are just as harsh and demented as before. But there’s more in Skeleton Coast!

[engl] Chicken Snake is the new JERRY TEEL (Honeymoon Killers, Boss Hog, The Chrome Cranks, Knoxville Girls, Little Porkchop, Jerry Teel & The Big City Stompers) and PAULINE OWENS-TEEL (Jerry Teel & The Big City Stompers) project. 500 copies only.

[engl] CHICKEN SNAKES sound is likened to old rusty train wheels, screeching down a lonesome track at midnight... Or a Gris-Gris charm made of dirty swamp water, a pinch of graveyard dirt, a few bottles of Whisky & Gin, The Devil and Sin, stirred with a handful of rooster feathers- until mixed well... CHICKEN SNAKE was founded in 2009 by Jerry Teel ( Honeymoon Killers, Boss Hog, Chrome Cranks, Knoxville Girls, Jerry Teel & The Big City Stompers ) and his wife and songwriting partner, Pauline Teel ( Jerry Teel & The Big City Stompers ). The band has included many musicians along the way, as The Teels have wandered through the big cities and waded through the backwoods swamps, while longing to return to New Orleans after Hurricane Katrina. "You Must Be The Devil" is Chicken Snake 5th album, you need to get yourself a copy!

[engl] Chouette is one of the best young French band from the plethoric Rennes stage. ‘You Don’t Know Why Your Run’ is their debut album and it’s damn good: 10 pure psyche-garage-blues-country-folk tunes! Think Captain Beefheart meets Thee Oh Sees and you’ve got the perfect deal!

[engl] Dead Horse Problem debut album presents something like a vicious and haunted voodoo rock’n’roll punk. No bass guitar but a loud fuzz lead guitar supported by unruffled rhythm guitars (with special guests like Dave Butterworth from The Double Agents, Julian Poulson from The Green Mist), magical drums and a kind of free baritone saxophone gliding in the airs. This album is highly recommended to every fans of Reigning Sounds (listen to DHP “Straight Shooter” cover!), Compulsive Gamblers, Howlin’ Wolf, RL Burnside…

[engl] Put it this way, Dimi Dero Inc are the greatest Australian band since The Drones – except for the fact they’re French. Gareth Liddiard’s “favourite European band since Einsturzende Neubauten”, the Paris four-piece draw from a sound cultivated in our part of the southern hemisphere for three decades. They’ve got plenty of cred, too: all of the band members have previously collaborated with former and current Nick Cave sidekicks like Mick Harvey, Hugo Race and Warren Ellis, and their Parisian residence includes the famed “Kanga-room” where many Europe-visiting Australian acts have stayed at different times. Already cheekily labelled “the best Australian rock record of recent years”, the cheerfully-titled Cremation Day... certainly sounds pretty damn Aussie for a bunch of Frogs. Leader Dimi Dero sneers, leers and swears like Chris Bailey crossed with Gaz, while the band’s dual guitar attack has Beasts Of Bourbon/Drones/classic-period Scientists written all over it. Even cooler, the first two songs – Unfair Enough and Bored – respectively tip the beret to Morrissey’s You’re Going To Need Someone On Your Side and Bauhaus’ In The Flat Field and as soon as the piercing fuzz and scuzz of Recipe For Happiness and Little Big Baby hits the speakers, you can practically smell stale beer and ciggies. To sum it all up – full marks for nailing that coveted Antipodean swamp-rock sound. As the French would say, “plus d’Australien que les tongs de Paul Hogan” (more Australian than Paul Hogan’s thongs)."

[engl] CHICKEN SNAKES sound is likened to old rusty train wheels, screeching down a lonesome track at midnight... Or a Gris-Gris charm made of dirty swamp water, a pinch of graveyard dirt, a few bottles of Whisky & Gin, The Devil and Sin, stirred with a handful of rooster feathers- until mixed well... Do you remember The Druids of The Gué Charette? The Electric Nettles share one side of a split record with them Pretty sure you also enjoyed “All the Darkness Looks Alive” (Druids of The Gué Charette, Beast Records, BR250). So who the fuck are The Electric Nettles? Easy: they’re also the Druids of The Gué Charette… Are you ready for a heavy fuzz psych garage trip?

[engl] Just one year after the release of their album "Bird of Prey", a rich year of touring, it is the release in Europe and the USA of their 3rd album "The Biggest Sound". We are proud to present ESCOBAR. It is a duet formed by Rémi (of Weird'Omen / Anomalys) and Charly (of the mythical band of the 90s The Bushmen / Daria). ESCOBAR rings the era of the return of Lo-Fi, the Grunge !!! "Wild and frenetic on stage, swing a punk electrified grunge garage and songs that remain in the head". In any case, experts in the field, Heatwave, Mowno or even Still In Rock agree that the band has experience of its influences and rewards to the minimalist, minimalist, a Rock'n'Roll Without concession and without plagiarism!

[engl] Once the intro to opener “Human” gives way to its fully-realized sonic purpose, it’s obvious that Harlan T. Bobo’s fourth proper album, A History of Violence, is quite different from his previous body of work. The classic historical emotional heft of a songwriter trying to make sense of life’s chaos, think mid-70s Lou Reed, especially Coney Island Baby, is a thread that can be heard running through the album’s mid-tempo tracks like “Human” and the miniature literary tragedy that is “Nadine”. The punchier tracks on the album, like “Spiders”, might conjure very early Green On Red, what X’s mid-80s output could have been, or even the roots-rock tendencies of overlooked genius, Cass McCombs. A History of Violence still highlights Bobo’s whiskey-and-cigarette-informed vocal style, and on the more intimate tracks, it’s a distorted ear candy that warbles into increasingly sunken, uncomfortable places, like that of the songwriter with which comparisons have followed Bobo throughout his career: the late Leonard Cohen. But there is a richer canvas on which to work this time out, not to mention a decidedly heavier and darker one. The album was recorded in Memphis with Doug Easley, who has previously worked with Cat Power, Pavement, Wilco, Sonic Youth, Jon Spencer, and Jeff Buckley. Bobo also brought in Steve Selvidge (The Hold Steady, Bash & Pop) on bass and Jeff “Bunny” Dutton (Action Family) on guitar, along with regular contributors Jeff Bouck (Polyphonic Spree) and Brendan Spangler (Viva l’American Death Ray). The result is a naturally dynamic album that seems equally at home with howling guitars and heavy bass lines as it does with haunting piano and humble pleas. A History of Violence is Bobo’s most complex -- and complete -- album to date.

[engl] Hipbone Slim and The Kneetremblers are a most prolific and versatile musical combination. Prolific in that they have previously recorded and released ten albums of highly regarded, critically acclaimed, greatly sought-after and collectable music. Versatil in that they are able to perform music in many style, such as rocknroll, surf, beat, rockabilly, zydeco and of course both blues and rhythm and blues.Whatever the musical genre in which the Kneetremblers choose to play, at the heart of their music is always rocknroll!

[engl] Hipbone Slim and The Kneetremblers are a most prolific and versatile musical combination. Prolific in that they have previously recorded and released ten albums of highly regarded, critically acclaimed, greatly sought-after and collectable music. Versatil in that they are able to perform music in many style, such as rock’n’roll, surf, beat, rockabilly, zydeco and of course both blues and rhythm and blues. Whatever the musical genre in which the Kneetremblers choose to play, at the heart of their music is always the blues!