ProductDetails

  • 01. Arrivee?
    02. Arles
    03. Lucidite?
    04. Espace Gestuel 05. Tournesol
    06. Irise?
    cover

    TIN MAN

    Arles

    [engl] Renowned acid cosmologist Johannes Auvinen, best known by his alias Tin Man, leaves the club floor behind for a full-length kosmische excursion on Bureau B. Since his first Tin Man records nearly 20 years ago, Auvinen has impelled acid—in the grand tradition of Phuture and co.—into shapes and forms heretofore uncharted. He does it again on his latest, "Arles," exploring a new realm of impressionistic beauty where pristine, heartfelt melodies dance delicately atop austere motorik rhythms. It's a trip you'll want to take again and again. "Cosmic," as defined by the Merriam-Webster dictionary, means "of or relating to the cosmos, the extraterrestrial vastness," or "relating to abstract spiritual or metaphysical ideas." In that light, the first record by Tin Man, aka Johannes Auvinen, on Bureau B is cosmic indeed— kosmische, if you will. Auvinen is best known for his manifold expressions of acid, in the house and techno sense, that pull your heartstrings as they move your feet. But on "Arles," he leaves his dance floor bonafides behind for an album-length journey through inner and outer space. Although "Arles" isn't built for the club, it's unmistakably a Tin Man record, through and through. (Fret not: adventurous DJs will find much to work with here, naturally.) Auvinen's tender melodies, coaxed from an array of gear including his signature Roland TB-303, dance delicately atop minimal, propulsive rhythms. The form is different, but the fundament remains the same. In the manner of its namesake city, "Arles" is a portrait of impressionistic beauty. One might call it a turning point for Auvinen, a new direction, but like Auvinen's best work elsewhere, "Arles" is disarming in its unveiled simplicity. There is no artifice here; this album has nothing to prove, no need to convince the listener of anything. Its elegance is accessible immediately, its grace given freely. And after the record's done, chances are you'll find yourself dropping the needle right back at the beginning. Each listen reveals a new tenor—each track becomes a new favorite. It's a trip you'll want to take again and again.
    Format
    LP
    Release-Datum
    28.04.2023
     

Einsortiert unter

 

Mehr vom Label »Bureau B«

  • cover

    CHIKISS

    Between Time And Laziness

    [engl] The enigmatic and expressive Chikiss breaks a three-year silence with Between Time and Laziness, a brand-new LP of dramatic and dreamlike synthpop perfectly suited to Hamburg’s unfaltering Bureau B.
  • cover

    HARMONIOS THELONIOS

    Cheapo Sounds

    [engl] A pivotal figure in Düsseldorf’s Salon Des Amateurs, Stefan Schwander has already amassed a remarkably rich musical reper- toire. Through his Harmonious Thelonious project, he has spent the past do
  • cover

    HARALD GROSSKOPF

    Oceanheart (ltd. deluxe edition)

    [engl] In 1984, four years after the release of my first solo album SYNTHESIST on SKY Records, I wanted to produce a new solo album. At the time I was operating on the fifth floor of a former backyard factor
  • cover

    LIGHTWAVE

    Cités Analogues

    [engl] "Cités Analogues" was the first album released by Lightwave's core duo Christoph Harbonnier and Christian Wittman. Recorded between April and May 1988, edited and produced in July 1988, "Cités A
  • cover

    DATASHOCK

    Geltungsbereich Universum

    [engl] All the herbs have been smoked. Datashock deliver a new album: “Geltungsbereich Universum”. Their second for Bureau B and the eighth in a career as an internationally active collective of musician
  • cover

    V/A

    Silberland Vol 2 - The Driving Side Of Kosmische Musik 1974-1984

    [engl] Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was first founded in the mid-seventies, when Germany's
 
Zeige alles vom Label »Bureau B«