[engl] Puberty (the band, the lifestyle, the etc.) though, belongs entirely to Susanna Welbourneand Lars Finberg. The band was hatched during a pocket of uncertainty, a time when signals seemed to point toward the half-promised oblivion of this duo’s day-job in The Intelligence, a favorite Whip-Wave unit and guardians of The Underground’s coveted Golden Drink Tickets. During these uncertain 2010 evenings, the tag team launchedTrainwreck, a monthly musical happening held at Seattle’s deepest, dankest karaoke dive, The Orient Express. Dance, dress-up (drag?) and debauchery were of principal concern, with a soundtrack tailored to exalt such values. Guess there’s really something to all of that revolting gonad-signaling after all. The by-now-trad’ Art-Punk that most would associate with These Intelligence Kids negated their mere insertion as house-band at Trainwreck, so The Intelligence’s assumed influences were swiftly replaced in Puberty by (as confirmed by Finberg) Trainwreck playlist regulars like U-Roy, Tones On Tail, Fun Boy Three, prime sleaze Roxy Music and other grandiose splatterings. This was to be the inverse of what the duo had been doing musically in terms of mood and motivation. The Intelligence’s air-tight guitar jerking delivered with (ahem) casual professionalism was to be largely displaced by big-band arrangements with wildly unexpected turns, delivered via eccentric theatrics and playing upon classically sexual, sultry and moody Rock’N’Roll with odd atmospherics. Plus pink outfits.